was referring to the character of the native noble in its own way of being tied to the land, to simple things, things from us, to that it is also said of being Creole and often confused when thought to be Creole is only wearing boots, panties and Corralejo, and become the gaucho in the days of national holiday. Argentino Luna
not pretending to be civilian, was undercover. Wearing "La Pampa del Sur" in the blood, and La Milonga was growing as a backbone that supported and nurtured intact forever the singer and his guitar. But we also grew the
man from within and from within it translated. We grew the other, like the fellow. So perhaps continued to protest when the protest and was no longer fashionable.
Surer was faithfully in his music, but his message was universal, because he knew the precept of the old minstrel, who argues that form should be regional but universal content. And since the milongas, from their figures, styles and recited, is not only translated the Argentine man but man. Her singing embraced the desire of "the great nation" when it endorsed the milonga Robert crab and then:
"... It was always north-south, the country / just a nothing more than a mother / Creole blanket brothers, brothers who together have to walk /
Southern in the north, north to the south, pa 'mi carob ombú is the same as "*
* From the ombú locust (R. crab)
watered at the source of the poets of the land was extremely Yupanquiano, but not just for singing Don Ata things, but to follow the path of the old master. He played Osiris Rodriguez Castillo, Rodriguez Yamandú at Pancho Viejo, Carlos Molina and many poets Creole, Oriental and Argentina, and lent his voice to the timeless poetry of the minstrels, because he was ultimately an accomplished and passionate singer.
At a time when the pressure of the music industry was flooded with electronic instruments and distorting the popular folk song roots, he does not bargain and continued his way up to the stage minstrel accompanied only by his old acoustic guitar.
missed not to young artists and new talents, and from many years before present new figures were a profitable trend in some cases, he walked around discovering singers, making them a little place and giving them a boost. But also never intended as a talent scout marketers and successful artists fugitive for Black Moon prevailed alia, talent, authenticity ... but above all, had a nose to realize who the singers who were with the interior.
We lost another pitchfork, those who were propping up the ridge from the ranch. And at this point long ago that we have a serious problem, because you can not go on forever holding something that does not fall. It would be good if we put the ranch new scissors and pitchforks, but for this it is necessary to get new timber noble lineage, as we are losing every day. Then, we must follow the example of Black Moon in many things, and those like him have an impact in the field of culture and art of the people (something serious) would be asked to use smell to know the difference, who are hanging out with the inland countrymen who are truth and who pretend to be civilians. Farewell
© Alejandro Reyes.
