Atahualpa Yupanqui
Indian Trail
back cover text on the high Andean massif stone rings recognizable harmony between the great voice of the wind, sun fervorizada to address the repeated shroud of snow, inappropriate and gives flight of the condor.
this harmony belongs to the numen of a musician and poet authentic and autochthonous the size of Atahualpa Yupanqui.
granite mountain has brought him to the plain his complaint, his nostalgia and hope, melodic language. Speak, then, its own way, when speaking of the "Indian Way" ...
Indian Trail
back cover text on the high Andean massif stone rings recognizable harmony between the great voice of the wind, sun fervorizada to address the repeated shroud of snow, inappropriate and gives flight of the condor.
this harmony belongs to the numen of a musician and poet authentic and autochthonous the size of Atahualpa Yupanqui.
granite mountain has brought him to the plain his complaint, his nostalgia and hope, melodic language. Speak, then, its own way, when speaking of the "Indian Way" ...
... he walked,
from south to north,
my old race ...
from south to north,
my old race ...
they overshadow the Pacha Mama (Mother Earth). To announce "A Song in the Mountain", a baguala own, enriching the guitar rhythms that pulse. And in his own song takes the "Road to the Valley", so that men receive from their brothers groove of the peaks that lyrical message that in order accounts, dictate the hearts of the high and low on two similar and unavoidable reasons: love and pain.
In this long-playing record, the RCA Victor label is fully personified the genuine artist is Atahualpa Yupanqui. Guitar and singing are his pure, his austere, their true expressions. The removal of the penis "Malambo" in it that are safe interpreter native, in 1950, in Paris, received international recognition in tournament folklore. Atahualpa Yupanqui
Recall that, by discussing their productions, it said it once, it wants its songs are simply those of anonymous natives Salta, Tucuman, La Rioja ...
He manages, with the sobriety of its tone, with the terseness of your rope, hide the subtle miracle of the creative personality and the foreground to give spontaneous character of each page melodious. He is a nameless who calls on the "Wind, Wind" by the Andean trails. This and the other who fiddles weave in the prelude to "The Kachorra" or "Vidala of Silence." Which attracts a jujeño carnavalito dance with the "Huajra" (name of indigenous horn guampa made with the beef).
want to be anonymous and free the voice of "Piedra y Camino" Puno of the song "Cargita of tola", the tender of the stanza "The Viajerita."
why go so deeply to the emotions of the public.
And although you want to give us the beautiful illusion of anonymity that the rhythmic phrasing in air-Vidal, "say the lyrics of" Me voy ", there's a stunning feeling rebellious you are defining the art of Atahualpa Yupanqui and his signature is worth :
In this long-playing record, the RCA Victor label is fully personified the genuine artist is Atahualpa Yupanqui. Guitar and singing are his pure, his austere, their true expressions. The removal of the penis "Malambo" in it that are safe interpreter native, in 1950, in Paris, received international recognition in tournament folklore. Atahualpa Yupanqui
Recall that, by discussing their productions, it said it once, it wants its songs are simply those of anonymous natives Salta, Tucuman, La Rioja ...
He manages, with the sobriety of its tone, with the terseness of your rope, hide the subtle miracle of the creative personality and the foreground to give spontaneous character of each page melodious. He is a nameless who calls on the "Wind, Wind" by the Andean trails. This and the other who fiddles weave in the prelude to "The Kachorra" or "Vidala of Silence." Which attracts a jujeño carnavalito dance with the "Huajra" (name of indigenous horn guampa made with the beef).
want to be anonymous and free the voice of "Piedra y Camino" Puno of the song "Cargita of tola", the tender of the stanza "The Viajerita."
why go so deeply to the emotions of the public.
And although you want to give us the beautiful illusion of anonymity that the rhythmic phrasing in air-Vidal, "say the lyrics of" Me voy ", there's a stunning feeling rebellious you are defining the art of Atahualpa Yupanqui and his signature is worth :
If any payment I do not like, I'm
! I do not
naides saves,
and fingerprints do not scare me
! I do not
naides saves,
and fingerprints do not scare me
*********************
Atahualpa Yupanqui Camino Indian
RCA Victor - AVL-3086 ECR 1957,
1. Indian Trail - Andean Song
2. Malambo - Traditional Rhythm *
3. Wind ... wind -
Andean Song 4. A song in the mountains - Baguala *
5. Road to the valleys - Song
6. The Kachorra (the puppy) - Cat *
7. Stone path - Zamba
8. Vidala of silence - Andean Prelude No. 2 *
9. Me voy - Vidala
10. Huajra (Huayra) - Carnavalito Jujuy *
11. Carguita of tola - Song puneña
12. The Viajerita - Zamba
(*) Guitar Solo
All issues of this LP are written by A. Yupanqui
************************
Sleep, Indian child - Poetry (from the book''Indian Aires'')
************************* HAIG WELL
haiga my monkey Well, that takes
cielito serene soul, freshness
jar ...!
face, eyes like her mother
,
sun and bronze color, same as a
his father.
Pa when I wrap
sleep in my blanket, I say softly
the best baguala.
Atahualpa Yupanqui, the book alone
Stone - Poems of the hill
* Contribution of Ernesto Roque.
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