Text (cover) LP''The Troubadours de Cuyo - The garden of my mother,''
Hilario Cuadros, born Mendoza district of Guaymallén on 2 December 1902, newly emerged as a musician and singer, as a young twentysomething in the Ca-ñadita Alegre, picturesque and sentimental corner of the capital of their province. Cultivated with innate good taste and quality promise a varied repertoire of Creole tunes, among which prevailed, obviously, the terroir. Fiesteras meetings and be-Renata, his name went to the early dissemination and spread from the breath of comrades and friends to the applause of the public.
Singing with his brother Juan Guillermo Franco had already received the support of sa-lion of Mendoza and San Juan, where in 1927 he formed a professional duet with Domingo Morales, with compliments received so comforting to be encouraged tempting to take the path of Buenos Aires. The phrase The San Juan greeted a reporter: "Well, welcome, troubadours de Cuyo!" baptism gave the famous joint future, that comple-graph with other interpreters, arrived at the capital of the Republic.
They obtained the first approval of Buenos Aires in the now defunct theater stages and the Grand Cinema Casino Florida. Immediately broadcasts its real art in the emerging radio Cuyo. A sheer effort, The Troubadours de Cuyo won a plan of emergency among the first groups that successfully promoted the Argentine folklore destination. Hilary's own words as expressed in designated occasion: "We wanted to bring a message of man, the work of the vineyards, the joy of harvesting, to-do what enlivens the landscape of Cuyo land. " Well I could talk and who, like him, a missionary of music and singing, could reveal to the general public the meaning of the payments Andean earthquake, after seeking inspiration from author and performer in its regional survey from Guanacache to and from the Christ Nihuil Redeemer to Desaguadero.
Hilario Cuadros and The Troubadours de Cuyo formed a successful joint-tion; genuine lyrical expression that wonderful latitude native Argentina where to kiss the sun rises good father good nectar wine.
The item concluded triumphantly toured all means of dissemination. And continues in EMI-ODEON discs, as this installment, covering his recordings of cueca, cat, waltz tune, samba and chacarera, for a period of years between 1945 and 1956. Only death could stop this Hilario Cuadros invaluable collaboration with our seal. Precisely the June 8, 1956 was the lamented death of this distinguished artist popular.
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Hilario Cuadros, born Mendoza district of Guaymallén on 2 December 1902, newly emerged as a musician and singer, as a young twentysomething in the Ca-ñadita Alegre, picturesque and sentimental corner of the capital of their province. Cultivated with innate good taste and quality promise a varied repertoire of Creole tunes, among which prevailed, obviously, the terroir. Fiesteras meetings and be-Renata, his name went to the early dissemination and spread from the breath of comrades and friends to the applause of the public.
Singing with his brother Juan Guillermo Franco had already received the support of sa-lion of Mendoza and San Juan, where in 1927 he formed a professional duet with Domingo Morales, with compliments received so comforting to be encouraged tempting to take the path of Buenos Aires. The phrase The San Juan greeted a reporter: "Well, welcome, troubadours de Cuyo!" baptism gave the famous joint future, that comple-graph with other interpreters, arrived at the capital of the Republic.
They obtained the first approval of Buenos Aires in the now defunct theater stages and the Grand Cinema Casino Florida. Immediately broadcasts its real art in the emerging radio Cuyo. A sheer effort, The Troubadours de Cuyo won a plan of emergency among the first groups that successfully promoted the Argentine folklore destination. Hilary's own words as expressed in designated occasion: "We wanted to bring a message of man, the work of the vineyards, the joy of harvesting, to-do what enlivens the landscape of Cuyo land. " Well I could talk and who, like him, a missionary of music and singing, could reveal to the general public the meaning of the payments Andean earthquake, after seeking inspiration from author and performer in its regional survey from Guanacache to and from the Christ Nihuil Redeemer to Desaguadero.
Hilario Cuadros and The Troubadours de Cuyo formed a successful joint-tion; genuine lyrical expression that wonderful latitude native Argentina where to kiss the sun rises good father good nectar wine.
The item concluded triumphantly toured all means of dissemination. And continues in EMI-ODEON discs, as this installment, covering his recordings of cueca, cat, waltz tune, samba and chacarera, for a period of years between 1945 and 1956. Only death could stop this Hilario Cuadros invaluable collaboration with our seal. Precisely the June 8, 1956 was the lamented death of this distinguished artist popular.
The Troubadours of my mother's garden
* Contribution of Ernesto Roque.
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